Music in Turkey
Turkey, rich in
musical heritage, has developed this art in two areas, Turkish classical
and Turkish folk music. When describing Turkish music today it is
generally said that Ottoman composers availed themselves of the rich
musical heritage found in the cultural centers of the Abbasid and the
Timurogullari, where Turkish, Araband Iranian musicians performed and
created music known as Ottoman court music. This music was based on mode
and human voices.
The mode and
musical instruments of Turkish music can be found in all middle-east
countries. However, with the passing of time, there have been changes in
the mode from region to region. Although written sources indicate 600
modes, only 212 have survived to our day. These can be divided as
follows:
- Simple modes,
- Combined
modes,
- Modes with
changing pitch.
Through the
centuries many instruments have been used in Turkish music, such as the
ud, tanbur, kemence, ney, kanun, kudum, bendir, def, halile, lavta,
santur, rebap, musikar, cenk and sinelkeman.
The various types
of Turkish music differing in modes and pitch include tunes and
spirituals and are classified as kar, murabba beste, agir semai, yuruk
semai, sarki, pesrev, saz semai, taksim, gazel, ilahi and kaside.
Turkish music is
also graded under the four headings below:
- Non-religious
music (with or without words),
- Military
music,
- Mosque music,
- Islamic mystic
music.
The history of
Turkish music, especially in regard to melodic variations, can be
divided into four periods. The first is the formation which goes back to
the years 1360-1453, when the Turks adopted Islam. After the conquest of
Istanbul, but prior to the period of classical music, Ottoman music was
influenced by Byzantine music, mainly in the years 1640-1712. The
greatest proponents of the Ottoman style after the exemplary classical
music created by Itri were Ebubekir Aga, Tab'i Mustafa Efendi, Kucuk
Mehmet Aga, Sadulla Aga, Padisha III Selim and Ismail Dede Efendi. The
period from 1955 onwards has been designated as the reform period.
Intended reforms
in the field of music during the Republican period led to debates on the
subjects of European, Turkish, polyphonic and monophonic music. During
this period composers who were noted for their work included Refik
Fersan, Cevdet Cagla, Sadettin Kaynak, Selahattin Pinar, Suphi Ziya
Ozbekkan, Lem'i Atli, Rauf Yekta, Suphi Ezgi, Huseyin Saadettin Arel and
others.
Currently, three
groups represent Turkish music. The first group favors polyphonic music.
The second group prefers an individual interpretation of classical
music. Numbered among this group were the Nevzat Atlig chorus, Bekir
Sidki Sezgin, Meral Ugurlu, Niyzi Sayin, Necdet Yasar, Ihsan Ozgen, Erol
Deran, Cinucen Tanrikorur and others. The third group preserves
traditional ties coupledwith high quality and includes Yalcin Tura,
Mutlu Torun, Ruhi Ayangil and others of the "new wave."
Turkish music is
a product of Turkish thoughts and feelings and of migrations and
changing geographical positions. It expresses the changes in the ways of
life of the Turkish people throughout history.
Ballads and songs
are especially important. Turkish folk music encompasses all natural and
communal events. It branches out into "Kirik Hava" and "Uzun Hava" and
makes use of wind, string, and rhythm instruments.
From 1926 onwards
various state enterprises have conducted research into Turkish folk
music.
In 1826, Sultan
Mahmut II attempted to modernize the Turkish Army and organize a
military band similar to the bands of western armies, and in 1828 the
Imperial Band was founded.
After the
proclamation of the Republic, the orchestra was renamed the Riyaseti
Cumhur Musiki Heyeti, and in 1958 it was again renamed the Presidential
Symphony Orchestra, its current title. The Music Teachers Academy was
opened in 1924 and the Ankara State Conservatory in 1936. Today there
are conservatories in both Istanbul and Izmir.
The flow of pop
music from the west has also influenced Turkey, and since the 1960's
Turkey has followed world trends and produced artists in this field of
music.
SOME SAMPLES OF
TURKISH MUSIC

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